It is a rare case of some justice being done. There's little question that the objections to its pro-torture depictions and CIA propaganda were what sunk the film. In explaining why its Oscar chances had all but disappeared, the Atlantic's Richard Lawson explained last month that as a result of the controversy, the film has "just become something vaguely taboo". That's a good thing, as it should be taboo. The film is unsurprisingly a box office success, earning in excess of $100 million. But still, it's both gratifying and a bit surprising to see that this CIA-shaped jingoistic celebration of America's proudest moment of the last decade - finding bin Laden, pumping his skull full of bullets, and then dumping his corpse into the ocean - ended up with the stigma it deserves.
Greg Mitchell on media, politics, film, music, TV, comedy and more. "Not here, not here the darkness, in this twittering world." -- T.S. Eliot
Monday, February 25, 2013
Less Than 'Zero'
Glenn Greenwald, one of the first to raise objections to Zero Dark Thirty's handling of torture (I believe I was about a day behind, and I was first to have done that after actually seeing it), celebrates today with this column.
is author of a dozen books (click on covers at right), ;He was the longtime editor of Editor & Publisher. Email: gregmitch34@gmail.com Twitter: @GregMitch
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